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Japan
Japan: Courts and Culture tells the story of three centuries of British royal contact with Japan, from 1603 to c.1937, when the exchange of exquisite works of art was central to both diplomatic relations and cultural communication. With discussions of courtly rituals, trade relationships, treaties, and other matters of concern between the two nations, this book provides important historical and political context in addition to granting a new look at the works of art in question. Featuring new research on previously unpublished works, including porcelain, lacquer, armor, embroidery, metalwork, and works on paper, this book showcases the unparalleled craftsmanship of these objects, and the local materials, techniques, and traditions behind them. Japan: Courts and Culture is published to accompany a spectacular exhibition of the same name, which opens at The Queen's Gallery, Buckingham Palace, in June 2020. The book's stunning photography, contextual essays, and historical insights offer a highly visual record of a royal narrative and history that has not yet been widely documented.
George IV
Published to accompany a major exhibition at The Queen's Galleries in London and Edinburgh, this book provides new insights into George IV as a collector. Although George led a life bounded by convention, he was a genuine connoisseur who was able to form an unrivalled collection of paintings, porcelain and furniture. These he presented and displayed in a series of architecturally adventurous spaces. His acquisitions continue to form the backdrop to royal ceremony, a legacy that is one of the principal pillars of today's magnificent Royal Collection.
The Royal Collection
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Michael Craig-Martin
Born in Ireland, the artist Michael Craig-Martin studied in America. On returning to the UK, he became a key figure in British conceptual art and an influential educator, linked in particular to the YBAs including Damien Hirst and Gary Hume. Craig-Martin's works transform recognisable objects - such as sneakers, headphones, watches and, most recently, Modernist buildings - with bold colour and simplified lines. He cites his 'rationalism' as the root of his practice. Craig-Martin is the latest subject of a three-year curatorial partnership between The Gallery at Windsor, Florida, and the Royal Academy of Arts, London, initiated to celebrate the Academy's 250th anniversary. This lively book re...
Border Cultures
The contemporary practitioners featured in the book are those who took part in Border Cultures, a research-based platform for artists and cultural producers to explore and examine the concept of the 'border' through different lenses, which took place in three part consecutively from 2013 to 2015 at the Art Gallery of Windsor, Canada: Border Cultures: Part One (homes, land) in 2013; Border Cultures: Part Two (work, labour) in 2014; and Border Cultures: Part Three (security, surveillance) in 2015. The objective of the series was to mobilise and connect ongoing critical dialogues concerning 'boundaries', with multiple and diverse explorations from different parts of Canada and the world. Border Cultures continues these narratives, collating essays from Dr Lee Rodney and Bonnie Devine, a curatorial essay from Srimoyee Mitra, and multiple artists' reflections on the themes of the exhibition series.
Windsor Castle
"As England's largest castle and premier royal residence, Windsor Castle is of outstanding importance: historically, architecturally, artistically and in the life of the nation. This authoritative history of the Castle, the first to be published in 100 years, draws upon new research and primary sources to present a general account of Windsor Castle and its immediate environs from around AD700 to the present day, setting this iconic building against the background of wider social, political and cultural events in the life of the monarchy and the nation. Not only is the book richly illustrated with historical drawings, watercolours and photographs from the Royal Collection and elsewhere, it also includes newly commissioned photography and 3D reconstructions of the Castle at key points in its development, showing how this historic site has changed and evolved over 13 centuries."--
